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	<title>Comments on: CRITERION: SHOCK CORRIDOR</title>
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		<title>By: Lalit Rao</title>
		<link>http://www.obsessedwithfilm.com/reviews/criterion-shock-corridor.php/comment-page-1#comment-26089</link>
		<dc:creator>Lalit Rao</dc:creator>
		<pubDate>Fri, 09 Jan 2009 10:16:17 +0000</pubDate>
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		<description>A superb article on one of the most amazing films made by Samuel Fuller.The reading of this article will make it easy for people to understand &quot;Shoch Corridor&quot;.</description>
		<content:encoded><![CDATA[<p>A superb article on one of the most amazing films made by Samuel Fuller.The reading of this article will make it easy for people to understand &#8220;Shoch Corridor&#8221;.</p>
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		<title>By: Kinowords, Berlin</title>
		<link>http://www.obsessedwithfilm.com/reviews/criterion-shock-corridor.php/comment-page-1#comment-24641</link>
		<dc:creator>Kinowords, Berlin</dc:creator>
		<pubDate>Sat, 25 Oct 2008 12:48:55 +0000</pubDate>
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		<description>An excellent piece that will contribute to our work on and how it closely relates to Hitchcock`s `Rear Window` and, more recently, Errol Morris`s `SOP`(journalism, madness, and prison visions).</description>
		<content:encoded><![CDATA[<p>An excellent piece that will contribute to our work on and how it closely relates to Hitchcock`s `Rear Window` and, more recently, Errol Morris`s `SOP`(journalism, madness, and prison visions).</p>
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		<title>By: Kinowords, Berlin</title>
		<link>http://www.obsessedwithfilm.com/reviews/criterion-shock-corridor.php/comment-page-1#comment-24640</link>
		<dc:creator>Kinowords, Berlin</dc:creator>
		<pubDate>Sat, 25 Oct 2008 12:47:55 +0000</pubDate>
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		<description>An excellent piece that will contribute to our work on journalism, madness, and prison visions and how it closely relates to Hithcock`s `Rear Window` and, more recently, Errol Morris`s `SOP`.</description>
		<content:encoded><![CDATA[<p>An excellent piece that will contribute to our work on journalism, madness, and prison visions and how it closely relates to Hithcock`s `Rear Window` and, more recently, Errol Morris`s `SOP`.</p>
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