The 81st Academy Award nominations have been announced by Forest Whitaker and Sid Ganis and they loved THE CURIOUS CASE OF BENJAMIN BUTTON didn’t they?
THE DARK KNIGHT didn’t get a Best Picture nom. When the history books are written you can’t help but think that decision is going to come down and bite them in the ass. History won’t be kind to this year’s Academy voters for dismissing such a landmark film which will do more for cinema than THE DEPARTED, CRASH or MILLION DOLLAR BABY ever did.
And if THE DARK KNIGHT couldn’t get itself a nomination, then you can’t imagine any comic book movie ever reaching that height. And no summer blockbuster either.
The five they went for…
THE CURIOUS CASE OF BENJAMIN BUTTON
FROST/NIXON
MILK
THE READER (really?)
SLUMDOG MILLIONAIRE
Robert Downey Jr. got himself a Best Supporting Nomination, really surprised at that. Loved the chuckle it got from the crowd. FROZEN RIVER I don’t really know that much about, I’m surprised it got so many nods. Even Marisa Tomeii for THE WRESTLER surprised me.
Loved Mickey Rourke, Sean Penn and Frank Langella’s nods for Best Actor, though I expected them all. Though it’s Penn’s award for the taking. I love Jenkins getting a nod because he’s been a superb actor for so long (a bit like Whitaker in 2006) but the Brad Pitt one surprised me. He was fantastic in the movie but as good as Josh Brolin or Ben Kingsley this year? I’m not so sure.
But no WALL*E? No THE DARK KNIGHT?
As significant as any movie made this decade.
I would put them against THE READER any day.
And your telling me Christopher Nolan shouldn’t be nominated for Best Director for THE DARK KNIGHT?
History won’t be kind this year folks.
Coming Soon have a full list of every category…
Performance by an actor in a leading role
* Richard Jenkins in “The Visitor” (Overture Films)
* Frank Langella in “Frost/Nixon” (Universal)
* Sean Penn in “Milk” (Focus Features)
* Brad Pitt in “The Curious Case of Benjamin Button” (Paramount and Warner Bros.)
* Mickey Rourke in “The Wrestler” (Fox Searchlight)
Performance by an actor in a supporting role
* Josh Brolin in “Milk” (Focus Features)
* Robert Downey Jr. in “Tropic Thunder” (DreamWorks, Distributed by DreamWorks/Paramount)
* Philip Seymour Hoffman in “Doubt” (Miramax)
* Heath Ledger in “The Dark Knight” (Warner Bros.)
* Michael Shannon in “Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage)
Performance by an actress in a leading role
* Anne Hathaway in “Rachel Getting Married” (Sony Pictures Classics)
* Angelina Jolie in “Changeling” (Universal)
* Melissa Leo in “Frozen River” (Sony Pictures Classics)
* Meryl Streep in “Doubt” (Miramax)
* Kate Winslet in “The Reader” (The Weinstein Company)
Performance by an actress in a supporting role
* Amy Adams in “Doubt” (Miramax)
* Penélope Cruz in “Vicky Cristina Barcelona” (The Weinstein Company)
* Viola Davis in “Doubt” (Miramax)
* Taraji P. Henson in “The Curious Case of Benjamin Button” (Paramount and Warner Bros.)
* Marisa Tomei in “The Wrestler” (Fox Searchlight)
Best animated feature film of the year
* “Bolt” (Walt Disney), Chris Williams and Byron Howard
* “Kung Fu Panda” (DreamWorks Animation, Distributed by Paramount), John Stevenson and Mark Osborne
* “WALL-E” (Walt Disney), Andrew Stanton
Achievement in art direction
* “Changeling” (Universal), Art Direction: James J. Murakami, Set Decoration: Gary Fettis
* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Art Direction: Donald Graham Burt, Set Decoration: Victor J. Zolfo
* “The Dark Knight” (Warner Bros.), Art Direction: Nathan Crowley, Set Decoration: Peter Lando
* “The Duchess” (Paramount Vantage, Pathé and BBC Films), Art Direction: Michael Carlin, Set Decoration: Rebecca Alleway
* “Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage), Art Direction: Kristi Zea, Set Decoration: Debra Schutt
Achievement in cinematography
* “Changeling” (Universal), Tom Stern
* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Claudio Miranda
* “The Dark Knight” (Warner Bros.), Wally Pfister
* “The Reader” (The Weinstein Company), Chris Menges and Roger Deakins
* “Slumdog Millionaire” (Fox Searchlight), Anthony Dod Mantle
Achievement in costume design
* “Australia” (20th Century Fox), Catherine Martin
* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Jacqueline West
* “The Duchess” (Paramount Vantage, Pathé and BBC Films), Michael O’Connor
* “Milk” (Focus Features), Danny Glicker
* “Revolutionary Road” (DreamWorks, Distributed by Paramount Vantage), Albert Wolsky
Achievement in directing
* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), David Fincher
* “Frost/Nixon” (Universal), Ron Howard
* “Milk” (Focus Features), Gus Van Sant
* “The Reader” (The Weinstein Company), Stephen Daldry
* “Slumdog Millionaire” (Fox Searchlight), Danny Boyle
Best documentary feature
* “The Betrayal (Nerakhoon)” (Cinema Guild), A Pandinlao Films Production, Ellen Kuras and Thavisouk Phrasavath
* “Encounters at the End of the World” (THINKFilm and Image Entertainment), A Creative Differences Production, Werner Herzog and Henry Kaiser
* “The Garden” A Black Valley Films Production, Scott Hamilton Kennedy
* “Man on Wire” (Magnolia Pictures), A Wall to Wall Production, James Marsh and Simon Chinn
* “Trouble the Water” (Zeitgeist Films), An Elsewhere Films Production, Tia Lessin and Carl Deal
Best documentary short subject
* “The Conscience of Nhem En” A Farallon Films Production, Steven Okazaki
* “The Final Inch” A Vermilion Films Production, Irene Taylor Brodsky and Tom Grant
* “Smile Pinki” A Principe Production, Megan Mylan
* “The Witness – From the Balcony of Room 306” A Rock Paper Scissors Production, Adam Pertofsky and Margaret Hyde
Achievement in film editing
* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Kirk Baxter and Angus Wall
* “The Dark Knight” (Warner Bros.), Lee Smith
* “Frost/Nixon” (Universal), Mike Hill and Dan Hanley
* “Milk” (Focus Features), Elliot Graham
* “Slumdog Millionaire” (Fox Searchlight), Chris Dickens
Best foreign language film of the year
* “The Baader Meinhof Complex” A Constantin Film Production, Germany
* “The Class” (Sony Pictures Classics), A Haut et Court Production, France
* “Departures” (Regent Releasing), A Departures Film Partners Production, Japan
* “Revanche” (Janus Films), A Prisma Film/Fernseh Production, Austria
* “Waltz with Bashir” (Sony Pictures Classics), A Bridgit Folman Film Gang Production, Israel
Achievement in makeup
* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Greg Cannom
* “The Dark Knight” (Warner Bros.), John Caglione, Jr. and Conor O’Sullivan
* “Hellboy II: The Golden Army” (Universal), Mike Elizalde and Thom Floutz
Achievement in music written for motion pictures (Original score)
* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.),Alexandre Desplat
* “Defiance” (Paramount Vantage), James Newton Howard
* “Milk” (Focus Features), Danny Elfman
* “Slumdog Millionaire” (Fox Searchlight), A.R. Rahman
* “WALL-E” (Walt Disney), Thomas Newman
Achievement in music written for motion pictures (Original song)
* “Down to Earth” from “WALL-E” (Walt Disney), Music by Peter Gabriel and Thomas Newman, Lyric by Peter Gabriel
* “Jai Ho” from “Slumdog Millionaire” (Fox Searchlight), Music by A.R. Rahman, Lyric by Gulzar
* “O Saya” from “Slumdog Millionaire” (Fox Searchlight), Music and Lyric by A.R. Rahman andMaya Arulpragasam
Best motion picture of the year
* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), A Kennedy/Marshall Production, Kathleen Kennedy, Frank Marshall and Ceán Chaffin, Producers
* “Frost/Nixon” (Universal), A Universal Pictures, Imagine Entertainment and Working Title Production,Brian Grazer, Ron Howard and Eric Fellner, Producers
* “Milk” (Focus Features), A Groundswell and Jinks/Cohen Company Production, Dan Jinks and Bruce Cohen, Producers
* “The Reader” (The Weinstein Company), A Mirage Enterprises and Neunte Babelsberg Film GmbH Production, Nominees to be determined
* “Slumdog Millionaire” (Fox Searchlight), A Celador Films Production,Christian Colson, Producer
Best animated short film
* “La Maison en Petits Cubes” A Robot Communications Production, Kunio Kato
* “Lavatory – Lovestory” A Melnitsa Animation Studio and CTB Film Company Production, Konstantin Bronzit
* “Oktapodi” (Talantis Films) A Gobelins, L’école de l’image Production, Emud Mokhberi and Thierry Marchand
* “Presto” (Walt Disney) A Pixar Animation Studios Production, Doug Sweetland
* “This Way Up”, A Nexus Production, Alan Smith and Adam Foulkes
Best live action short film
* “Auf der Strecke (On the Line)” (Hamburg Shortfilmagency), An Academy of Media Arts Cologne Production, Reto Caffi
* “Manon on the Asphalt” (La Luna Productions), A La Luna Production, Elizabeth Marre and Olivier Pont
* “New Boy” (Network Ireland Television), A Zanzibar Films Production, Steph Green and Tamara Anghie
* “The Pig” An M & M Production, Tivi Magnusson and Dorte Høgh
* “Spielzeugland (Toyland)” A Mephisto Film Production, Jochen Alexander Freydank
Achievement in sound editing
* “The Dark Knight” (Warner Bros.), Richard King
* “Iron Man” (Paramount and Marvel Entertainment), Frank Eulner and Christopher Boyes
* “Slumdog Millionaire” (Fox Searchlight), Tom Sayers
* “WALL-E” (Walt Disney), Ben Burtt and Matthew Wood
* “Wanted” (Universal),Wylie Stateman
Achievement in sound mixing
* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), David Parker, Michael Semanick, Ren Klyce and Mark Weingarten
* “The Dark Knight” (Warner Bros.), Lora Hirschberg, Gary Rizzo and Ed Novick
* “Slumdog Millionaire” (Fox Searchlight), Ian Tapp, Richard Pryke and Resul Pookutty
* “WALL-E” (Walt Disney),Tom Myers, Michael Semanick and Ben Burtt
* “Wanted” (Universal), Chris Jenkins, Frank A. Montaño and Petr Forejt
Achievement in visual effects
* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Eric Barba, Steve Preeg, Burt Dalton and Craig Barron
* “The Dark Knight” (Warner Bros.), Nick Davis, Chris Corbould, Tim Webber and Paul Franklin
* “Iron Man” (Paramount and Marvel Entertainment), John Nelson, Ben Snow, Dan Sudick and Shane Mahan
Adapted screenplay
* “The Curious Case of Benjamin Button” (Paramount and Warner Bros.), Screenplay by Eric Roth, Screen story by Eric Roth and Robin Swicord
* “Doubt” (Miramax), Written by John Patrick Shanley
* “Frost/Nixon” (Universal), Screenplay by Peter Morgan
* “The Reader” (The Weinstein Company), Screenplay by David Hare
* “Slumdog Millionaire” (Fox Searchlight), Screenplay by Simon Beaufoy
Original screenplay
* “Frozen River” (Sony Pictures Classics), Written by Courtney Hunt
* “Happy-Go-Lucky” (Miramax), Written by Mike Leigh
* “In Bruges” (Focus Features), Written by Martin McDonagh
* “Milk” (Focus Features), Written by Dustin Lance Black
* “WALL-E” (Walt Disney), Screenplay by Andrew Stanton, Jim Reardon, Original story by Andrew Stanton, Pete Docter



23 Comments
It’s interesting to note the release dates of those 5 they have gone for for Best Picture. None of the movies were released in the UK until 2009 (with the majority still yet to make an appearance)…
And I really can’t understand the exclusion of WALL*E and THE DARK KNIGHT – those 2 movies mark the absolute pinnacle of their Genre’s.
I am VERY disappointed that THE WRESTLER isnt nominated for BEST PICTURE – and not for BEST SONG. Seriously, “The Wrestler” by Bruce Springsteen is IMHO one of the best songs he has ever written…anyways.
Lets hope for Mickey Rourke! :D
Oh, btw…and the winner is (IMHO):
Best Film – MILK
Best Director – GUS VAN SANT
Best Actor – MICKEY ROURKE
Best Actress – KATE WINSLET
Best supporting Actor – HEATH LEDGER
Best supporting Actress – MARISA TOMEI
Best animated feature film – WALL*E
Best foreign language film – DER BAADER-MEINHOF-KOMPLEX
Best Song – Whatever…
Horsecrap. The Wrestler deserved a nod for best picture. Slumdog and The Wrestler were hands down the best. Followed by the Dark Knight. Frost/Nixon and Milk..both good but come on..Oscars?..
I am stunned by The Dark Knight being left out of Best Picture and WALL-E being moved to the “safe” category in Best Animated Film.
The Academy wouldn’t know a hip and popular film if it bit them on the ass. We instead get crap like The Reader nominated because The Weinstein Company and others hard campaign for the nomination. It seems like the Academy would rather have a film that is never seen by the massess, than an overwhelming popular and profitable film so they can appear “artistic.”
The same thing happened when “Shakespeare In Love” won over “Saving Private Ryan” the more popular film that year. It was all gifts, campaigning and voter influence that cost a better film that year the award.
At least we know by the Box Office tally of 2008 what the true Best Picture was!
@ VideoRaider
I too cant beleive The Wrestler was snubbed in those catergories of best picture and best song either. Not a big Springsteen fan but his song The Wrestler really hit home this great movie.
Ah well, there will be no stopping Mickey Rourke collecting this year!
On the contrary, history will be very unkind to the Dark Knight. As we get further away from the hype and the global phenomenon, people will start objectively watching it and see it’s deep shortcomings and holes. Agreed, The Reader shouldn’t be up for best pic, but that slot belongs to a bunch of other films (Wrestler, WallE, In Bruges to name a few). Dark Knight has done very well for such a dodgy product.
Although I really liked The Wrestler, I’m not actually entirely surprised to see it left out of the Best Pic category, but I am quite surprised that Springsteen’s song wasn’t nominated, especially given that two songs from Slumdog were chosen (though to be fair, the music in Slumdog is really good as well).
I would really, really like to see In Bruges win its award. In my view one of the best films of last year, and it’s almost like it’s been totally forgotten.
yes dave (7) i completely agree. Although i do think Nolan deserved the nod over ron howard for director (and aronofsky over van sant for that matter)
No bruce for song? REALLY???
Frost/Nixon and Milk have no place in the best pic category IMO. Their acting is superb, but that’s it. The academy has a history of nominating / awarding movies with great acting but sub-par technical aspects and predictable cliched screenplays (The Departed, Crash, Good night and good luck, beautiful mind, michael clayton, am. beauty, i can go on).
Here’s rooting for benjamin button!
I don’t really think THE DARK KNIGHT deserves a Best Picture nod. It’s a very good film, but I think a lot of people are still coasting on the euphoria of having a serious take on a comic book movie. If you look at it sober, the film has a lot of ridiculous flaws in it.
THE WRESTLER, on the other hand, deserved a nom for Picture and Best Song. Now THAT’S a slight that the Academy will regret years from now.
I agree with everyone that The Wrestler should have gone in instead of The Reader, and that The Dark knight should have gone in instead of Frost/Nixon. And I completely agree that they just want t o look artistic and pick the “pretty” film. That is what Art Direction and Cinematography is for folks…and guess what…Dark Knight got noms for BOTH of those….Here is what the REAL ballot looks like if you narrow each choice to the two likely winners
Best Picture-
The Curious Case of Benjamin Button
Slumdog Millionaire
Best Actor-
Mickey Rourke
Sean Penn
Best Actress-
Kate Winslet
Meryl Streep
Best Supporting Actor-
Heath Ledger
Michael Shannon
Best Supporting Actress-
Viola Davis
Penelope Cruz
Best Animated Feature-
Walle (Who are we kidding)
Art Direction-
The Curious Case of Benjamin Button
The Dark Knight
Cinematography-
Slumdog Millionaire
The Curious Case of Benjamin Button
(The Dark Knight)?
Achievement in Costume Design-
The Duchess
The Curious Case of Benjamin Button
Achievement in Directing-
Danny Boyle
David Fincher
Achievement in Makeup-
Hellboy II
The Curious Case of Benjamin Button
Achievement in Editing-
Slumdog Millionaire
The Dark Knight
Best Foreign Language Film-
The Class
Waltz With Bashir
Acheivement in Music-
Slumdog Millionaire
WallE
(The Curious Case of Benjamin Button?)
(The Dark Knight) (I cannot believe it wasn’t nominated still)
Best Original Song-
O Saya
The Wrestler (FUCK that it wasn’t nominated…that’s bullshit…hahaha)
Sound Editing-
Slumdog Millionaire
Wanted
Sound Mixing-
The Dark Knight
Slumdog Millionaire
Special Effects-
The Curious Case of Benjamin Button
Iron Man
Adapted Screenplay-
(Really anyones game)
Original Screenplay-
In Bruges
Milk
I’m surprised no Best Music nod for Dark Knight. That is one of the most well-structured, complementary scores I’ve ever heard, and it holds up even better on repeat viewings. Seriously, even if you didn’t like the film, that score managed to be lush and minimal at the same time and the movie would have been greatly less effective without it. Poor form, Academy.
Also like to add it’s too bad RDJ will lose in his category, because he is AWESOME in TT and the whole film is terrific. HL is great etc and he’ll obviously win, but it does make me very happy to think TT is Oscar-nominated!
Well seeing as they snubbed the score for Batman Begins, there’s not too much point nominating the Dark Knight one. Especially when there were so many other, more original scores this year.
The two scores are fairly divergent, and TDK’s had a lot of very inventive risks. Using a two-note melody as the basis of a 2.5 hour score is gutsy and JNH pulled it off beuatifully. The music was there when it needed to be and unnoticeable when it didn’t. It’s not like they just re-used the same score for two movies like the first franchise did (thankfully)!
But hey just my opinion :)
Uhhhh I dunno which version of Batman Begins you saw, but it’s largely the same material. The Harvey Dent theme even makes an appearance in the first film. The only substantial piece of original music, the Joker theme, is lovingly ripped off from a cue from Goldenthal’s Heat score. And by ripped off I mean copy and paste.
And I urge you to relisten to the Batman Returns score. Elfman develops his first score considerably, and the result is absolutely beautiful. Especially the Catwoman/Penguin cues. Stunning.
Guess we disagree :)
It’s not a disagreement, you’re just wrong.
Wow Dave, you’re an arrogant prick. You might try the IMDB forums where that kind of childish behavior isn’t frowned upon.
I’m not sure why anyone is surprised or cares about this. The Academy Awards have always been about one thing: POLITICS. The quality of a film is irrelevant. It’s sad but true.
Ehhhh…I don’t know about “irrelevant”….
Epic Movie can buy at as many ads in Variety as they want and can kiss ass to every single member of the academy, but it will never EVER get a nomination.
It’s just that the academy has always had a certain “type” of film that it thinks all films should be.
It doesn’t nominate “Acting” movies (See “Doubt”) , it doesn’t nominate a certain type of film, regardless of quality (See “Big Fish”).
In order for a film to be considered it has to be “beautiful” by the academy’s standards, OR have a really high brow theme so that the academy can seem intellectual and artistic (A re-examination of the Frost/Nixon interview? How high brow!)OR be made or starred in by a film legend who MAY be on their way out (See Clint Eastwood, Martin Scorcese)
Bottom Line. It is the ACADEMY’S awards. Not ours. If you want to see “Dark Knight” “Iron Man” and “Indie IV” all get nominated for best picture instead of Slumdog, Benjamin Button, and Milk, then be quiet and watch the people’s choice awards. Don’t forget a coloring book, you may need something to keep busy during the commercials.
James, that’s not and never has been an argument against anything. By that logic we should just sit back and never question anything any group does. That’s stupid. Of course we can criticize the ridiculousness of the Academy’s choices. In fact, we should if we don’t agree with them. It’s the most popular awards show in the world and will have a huge bearing on the way these films are viewed in the future (as well as their sales).
How about the fact that Frost/Nixon was a tightly written, intensely acted, yet somehow tragic political thriller about an interview. High brow or not, it’s a wonderfully made little film that deserves the recognition it’s getting.
At the end of the day, Dark Knight is a superhero film that achieved 8 Academy Award Nominations. EIGHT. Not bad for what it is. And it’s good to see the techies getting the recognition, because it was the writing that let everyone else down.
Yes, it’s often due to politics and Oscar buzz. Hell, Jennifer Hudson won an award based on buzz alone. Dark Knight had a shitload of Oscar buzz, and I’m sure the Academy were fully aware of what it would mean for their ratings had they nominated TDK. At the end of the day, and people will realise this as time passes, it’s not a very good film and could have achieved so much more in the time it took to tell its story. It is not a better movie than any of the 5 nominated, more accessible, yes, but not better. It’s a quality contest, not a popularity contest.
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[...] while the film’s leading man Pitt also earned a best actor nod.” Matt Holmes from obssessed with films says, “THE DARK KNIGHT didn’t get a Best Picture nom. When the history books are written [...]