Examining how Tim Burton turned a sequel to Batman into a more personal vehicle that might, in fact, be best understood as not a Batman sequel at all.

Like the title character and his creator, EDWARD SCISSORHANDS is whimsical, hopeful, and FLAWED.

Despite what the title of Christopher Nolan’s movie would have you believe this is where BATMAN truly began.

Chris Daniel takes us back to 1988 to investigate whether Tim Burton’s early career was the stuff of genius, or the start of some bad trends?