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	<title>Obsessed With Film &#187; Quentin Taratino</title>
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		<title>It&#8217;s NOT QUITE HOLLYWOOD, and Mike loves it!</title>
		<link>http://www.obsessedwithfilm.com/reviews/its-not-quite-hollywood-and-mike-loves-it.php</link>
		<comments>http://www.obsessedwithfilm.com/reviews/its-not-quite-hollywood-and-mike-loves-it.php#comments</comments>
		<pubDate>Wed, 18 Mar 2009 15:34:00 +0000</pubDate>
		<dc:creator>Michael Edwards</dc:creator>
				<category><![CDATA[Australia]]></category>
		<category><![CDATA[Quentin Taratino]]></category>
		<category><![CDATA[Quentin-Tarantino]]></category>
		<category><![CDATA[Review]]></category>
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		<guid isPermaLink="false">http://www.obsessedwithfilm.com/?p=21542</guid>
		<description><![CDATA[Sometimes it's hard to like documentaries. Unlike fiction films which create their own reality, documentaries attempt to manipulate this one and that doesn't always make for good viewing. It can lead to things like the recent AMERICAN TEEN which are clearly just poorly orchestrated versions of reality, there are boring commentaries on reality that just rope in anyone to become a pundit (these are usually reserved for television and often massacre historical subjects with mundane musings), and there are excessively politicized diatribes like those produced by Michael Moore and Morgan Spurlock.

So when I watched NOT QUITE HOLLYWOOD it was like a breath of fresh air. Here is a documentary that is many things, all of which should be attractive to a movie fan and none of which are in any way boring, bland or manipulative. This is because NOT QUITE HOLLYWOOD is all about the forgotten world of Australian genre films, that heady group of movies that sprung up at the birth of the nation's film industry and provided a welcome antidote to the arthouse world that was believed to be so necessary to the character of a national film industry.

Collecting an awesome team of commentators, some amazing anecdotes and ...]]></description>
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		<title>Ennio Morricone! Happy 80th birthday, you INGLOURIOUS BASTERD!</title>
		<link>http://www.obsessedwithfilm.com/movie-news/ennio-morricone-happy-80th-birthday-you-inglourious-basterd.php</link>
		<comments>http://www.obsessedwithfilm.com/movie-news/ennio-morricone-happy-80th-birthday-you-inglourious-basterd.php#comments</comments>
		<pubDate>Mon, 10 Nov 2008 09:18:49 +0000</pubDate>
		<dc:creator>Matt Holmes</dc:creator>
				<category><![CDATA[Ennio Morricone]]></category>
		<category><![CDATA[Inglourious Bastards]]></category>
		<category><![CDATA[Movie News]]></category>
		<category><![CDATA[Quentin Taratino]]></category>

		<guid isPermaLink="false">http://www.obsessedwithfilm.com/?p=17532</guid>
		<description><![CDATA[Wow, I can't imagine any news story getting me more excited this morning.

Quentin Tarantino, for the first time ever, will have an original score for one of his films in the upcoming INGLOURIOUS BASTERDS. As any self-respecting Tarantino fan knows, he has in the past only ever used already written and performed musical themes or pop/rock songs to fill his soundtracks, and quite beautifully I might add.



I believe the only time in the past that Quentin has ever used an original score was when Robert Rodriguez contributed one piece of music to KILL BILL as his part of the return favour for Tarantino directing a segment of SIN CITY. Though I could be wrong on that point, he may have used others, but he has certainly used them only infrequently.

IGN (not that one, a website titled Italy Global Nation) carry the delicious news that Tarantino has HIRED my favourite ever composer, Ennio Morricone, 80 YEARS OLD TODAY, to score INGLOURIOUS BASTERDS. Morricone is best known for his close relationship with the famed Sergio Leone who he worked with on each of his 7 movies, including the classic scores for the DOLLARS trilogy.



He won the honorary Oscar in 2007"in recognition of ...]]></description>
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