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	<title>Obsessed With Film &#187; Nick Moran</title>
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		<title>Mark Clark says TELSTAR&#8217;s move from stage to screen is a success! (re-posted)</title>
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		<pubDate>Sat, 20 Jun 2009 04:00:52 +0000</pubDate>
		<dc:creator>Mark Clark</dc:creator>
				<category><![CDATA[Kevin-Spacey]]></category>
		<category><![CDATA[Nick Moran]]></category>
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		<category><![CDATA[Telstar]]></category>

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		<description><![CDATA[Telstar, about the complex and fascinating music producer Joe Meek and portrayed in a tour de force performance by Con O’Neill, is one of those stories that you feel should have been told far more often than it has, but this absence has provided a greater, and frankly welcome, impact on the cinema screen.

Meek was a music pioneer in the 1960’s and managed to create both a new sound, and working environment in his custom built studio, in a flat on London’s Holloway Road above a leather handbag shop. From this eccentric musical birthplace he created ‘Telstar’, the 3 million selling record which was to seal his success, and be a part of his eventual downfall.



The eccentric studio is in essence an extension of the shed at the bottom of the garden where a young Joe first played with sound, and the film begins with a delirious example of the studio and his process as we’re quickly introduced to characters and shuttled in and out of rooms; newly arrived band the Outlaws (very funny Ralf Little and James Corden) in one, a 3 piece chamber orchestra in another, a singer upstairs; all interconnected and controlled by Meek’s unique system, and ...]]></description>
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