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	<title>Obsessed With Film &#187; Emanuelle Seigner</title>
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		<title>Keith takes a nostalgic trip with Argento&#8217;s GIALLO at EIFF!</title>
		<link>http://www.obsessedwithfilm.com/reviews/keith-takes-a-nostalgic-trip-with-argentos-giallo-at-eiff.php</link>
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		<pubDate>Thu, 25 Jun 2009 13:27:46 +0000</pubDate>
		<dc:creator>Keith Brown</dc:creator>
				<category><![CDATA[Adrien-Brody]]></category>
		<category><![CDATA[Dario Argento]]></category>
		<category><![CDATA[Emanuelle Seigner]]></category>
		<category><![CDATA[Giallo]]></category>
		<category><![CDATA[Reviews]]></category>

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		<description><![CDATA[The title Giallo refers, generically, to a distinctive kind of Italian horror-thriller film, of which writer-director Dario Argento has been a leading exponent since his 1970 debut The Bird with the Crystal Plumage.

As such, it’s a very self-referential title, akin to Pulp Fiction, and one which is also indicative of the film’s nature, that it is more for his fan-base in Italy and internationally than an attempt to reach a new audience.

 
The big question, even as far as this audience is concerned, is whether the film can live up to fan expectation. Or, insofar as Argento’s stock is currently at a low level in the wake of a string of poorly received films – 2004’s The Card Player, 2005’s Do You Like Hitchcock and 2007’s The Third Mother – whether it might actually surpass them for those sufficiently dedicated to find out.

Amongst mainstream critics, meanwhile, Argento’s reputation, such as it is, is that virtuoso stylist who is not particularly with narrative and characterisation, and whose work is often marred by its gratuitous violence and misogyny.

While he has tried to address these criticisms, the results as seen in the likes of 1993’s Trauma and 1996’s The Stendhal Syndrome, have ended up ...]]></description>
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