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	<title>Obsessed With Film &#187; Dillinger</title>
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		<title>&#8220;Nobody did it like DILLINGER&#8230; He was the gangster&#8217;s gangster!&#8221;</title>
		<link>http://www.obsessedwithfilm.com/reviews/nobody-did-it-like-dillinger-he-was-the-gangsters-gangster.php</link>
		<comments>http://www.obsessedwithfilm.com/reviews/nobody-did-it-like-dillinger-he-was-the-gangsters-gangster.php#comments</comments>
		<pubDate>Thu, 25 Jun 2009 11:44:06 +0000</pubDate>
		<dc:creator>Tom Fallows</dc:creator>
				<category><![CDATA[Daily Vid]]></category>
		<category><![CDATA[Dillinger]]></category>
		<category><![CDATA[John Milius]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Warren Oates]]></category>

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		<description><![CDATA[The penultimate (one more to come) article celebrating the often told cinematic story of notorious 1930's Chicago gangster John Dillinger and the classic gangster genre of film history in preparation for the upcoming release of Johnny Depp/Christian Bale/Michael Mann's Public Enemies. 

You can find our previous articles here...

“His story is written in bullets, blood and blondes!” - Dillinger (1945)

James Cagney: The Real Public Enemy

Public Enemy #1 - Top Ten Gangster Films! 

All our articles dealing with Public Enemies (review coming Monday)


“I rob banks for a living. What do you do?”
John Milius’ Dillinger (1973) is not the way it was - just the way it should have been. Bullets and broads, sharp suits and fast cars, men outside the law and desperate G-Men hot on their tale. This isn’t the true story of John Dillinger, this is the legend. And it rips at your heart like a Tommy gun spittin’ out lead.

Fans of Milius’ later work shouldn’t be surprised. After all this was the director who gave us the blood and thunder of Conan the Barbarian (1982) and the writer who penned both Dirty Harry’s “Do you feel lucky, punk,” and Quint’s macabre tale of the Indianapolis in Jaws (1974). Already we can see a filmmaker obsessed ...]]></description>
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		<title>&#8220;His story is written in bullets, blood and blondes!&#8221; &#8211; Dillinger (1945)</title>
		<link>http://www.obsessedwithfilm.com/reviews/his-story-is-written-in-bullets-blood-and-blondes-dillinger-1945.php</link>
		<comments>http://www.obsessedwithfilm.com/reviews/his-story-is-written-in-bullets-blood-and-blondes-dillinger-1945.php#comments</comments>
		<pubDate>Mon, 15 Jun 2009 08:09:54 +0000</pubDate>
		<dc:creator>Alex Diaz</dc:creator>
				<category><![CDATA[Daily Vid]]></category>
		<category><![CDATA[Dillinger]]></category>
		<category><![CDATA[Lawrence Tierney]]></category>
		<category><![CDATA[Max Nossek]]></category>
		<category><![CDATA[Reviews]]></category>

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		<description><![CDATA[Public Enemies, action auteur Michael Mann’s latest, is set to revive interest in John Dillinger following its premiere in Chicago next Thursday. From what has been seen of it so far the movie promises to be a gem, but it’s hardly charting new cinematic territory. OWF thought it might be a good idea to put the picture into perspective by casting a glance upon previous cinematic takes on the Depression era’s most famous stick-up man.



By the time John Dillinger met his maker outside a Chicago cinema in 1934 it must have been clear to all and sundry that he was on track to become a future icon of the silver screen. The grandiloquence of his criminal exploits made it virtually impossible for Hollywood to ignore him. All that remained to be decided was the slant of the forthcoming portrayals. Would Dillinger be shown as a Robin Hood figure or as a rogue raider with a violent thirst for other people’s money?

The very first movie to deal with the Indianapolis-born bandit was a B-flick named Dillinger, directed by the now obscure Max Nossek and released in 1945. Nossek clearly had no doubt which take on the Dillinger myth he was going ...]]></description>
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